Draw 'Manifesto'

Saturday 3rd November was a big night for drawing in Brighton -  Draw's 6 hour themed life drawing event 'The Drawing Circus: Manifesto' The event was elegantly organised, very well attended and there was a great atmsophere in the place.

This time round I decided to work on a single long sheet of paper folded concertina-wise into a book form. 

All of my work was in charcoal with gold paint used for highlights, lending continuity to the finished product and affording me a really intensive block of practice to hone one technique.

Here is my work from the last big Draw event -> Grimm's Tales. Last time round I worked on a scroll - it was nice to not be impeded by page folds, but the finished scrolls are bulky to store and I rarely open them as they are awkward to browse.

Scrolls

I went to The Drawing Circus's Grimm Tales event on Saturday - I didn't really know what to expect except that I'd be doing a lot of drawings in a series, so I thought about buying a sketchbook just for the day. I heard that at a previous event someone came equipped with a really long sheet of paper folded up into a sketchbook concertina fashion. This sounded like a really nice idea, but it occurred to me that a scroll might work, too.

To draw on a scroll you need to modify a drawing board so that it will hold a roll of paper open and flat. Here's my solution:
- two binders (30cm rulers might be even better) gaffer-taped flat to the drawing board hold the paper flat,
- and the rolls on either side are kept furled by the use of a clothes peg on each.

Rolling on to the next empty bit of paper once a drawing is finished is a little bit more cumbersome than turning the page in a sketchbook, but you get the knack of it quite quickly. The procedure is to unpeg the right hand scroll, unroll a little more paper, peg it again, pull the paper across the board to tho the left, then unpeg the left hand scroll and take in the slack.

It is certainly an economic option - a couple of rolls of wrapping paper costing much less than most sketchbooks. And being able to unfurl the scroll and see all your drawings at once and in relation to each other is very satisfying.

They are, however, a little more bulky and less convenient to store than either sketchbooks or loose leaf drawings. They are also a little more cumbersome to peruse.

Anyway, I had a great time, got a lot of drawing practice in (approx. 55 drawings on the day!) mostly a bit scrappy. Next time I'll make a point of getting to one of the longer poses at some point to mix things up a bit.

The other new discovery I made this week was using gold paint for highlights on my sketches - very eyecatching, as long as the background is sufficiently dark. I have an oil-based gilt paste that works pretty well when applied with the finger. I think it's mostly intended for craftwork rather than painting.

Thanks very much to Jake and everyone else involved in making Grimm Tales such a awesome day out - there was a real buzz in the place. Looking forward to the next drawing circus. :-)

Quandaries

When faced with a quandary, one must avoid the barbs - 

Always the most projecting of parts.

One must trace round the edges, comprehend the shape,

Feel the heft of that you have found. 

The stolid foundation and fumigous surround,

Are of no consequence here -

Within all quandaries there is a curious pearl 

A kernel which once it has been grasped,

Will be clear and tractable, plain and extractable,

From the murk in which it was masked.

Newtonian Voracity

There are many things worse than being smacked on the noggin by falling fruit while dozing under an apple tree - no matter how apocryphally. An infestation of small, round, overly voracious bipedal mouth-creatures is just one of them.


By analogy, this diagram shows everything that is wrong with the burgeoning casual games market sector - scribbly, unclear, demanding of nothing but mediocrity and threatening to swallow up all that we hold dear.

Clear out of my orchard, you lousy varmints!